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Maarten van Heemskerck: The Berlin Albums in Context - Detailseite

Grunddaten
Veranstaltungsart Seminar Veranstaltungsnummer 533627
Semester SoSe 2024 SWS 2
Rhythmus Moodle-Link  
Veranstaltungsstatus Freigegeben für Vorlesungsverzeichnis  Freigegeben  Sprache englisch
Belegungsfristen - Eine Belegung ist online erforderlich Zentrale Abmeldefrist    01.02.2024 - 30.09.2024    aktuell
Institut für Kunst- und Bildgeschichte 1. Frist    01.04.2024 - 22.04.2024   
Veranstaltungsformat Präsenz

Termine

Gruppe 1
Tag Zeit Rhythmus Dauer Raum Gebäude Raum-
plan
Lehrperson Status Bemerkung fällt aus am Max. Teilnehmer/-innen
Do. 10:00 bis 12:00 wöch 18.04.2024 bis 18.07.2024  0.12 (Seminarraum)
Stockwerk: EG


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Pergamonpalais - Georgenstraße 47 (GEO 47)

Außenbereich nutzbar Innenbereich nutzbar Barrierearmes WC vorhanden Barrierearme Anreise mit ÖPNV möglich
  findet statt     30
Gruppe 1:


Zugeordnete Person
Zugeordnete Person Zuständigkeit
Christian, Kathleen Wren, Professorin, Dr.
Studiengänge
Abschluss Studiengang LP Semester
Bachelor of Arts  Kunst- und Bildgeschichte Kernfach ( Vertiefung: kein LA; POVersion: 2014 )     -  
Bachelor of Arts  Kunst- und Bildgeschichte Zweitfach ( Vertiefung: kein LA; POVersion: 2014 )     -  
Zuordnung zu Einrichtungen
Einrichtung
Kultur-, Sozial- und Bildungswissenschaftliche Fakultät, Institut für Kunst- und Bildgeschichte
Inhalt
Kommentar

In Summer 2024 (26.4.24-4.8.24) the Staatliche Museen zu Berlin are holding a major exhibition devoted to the drawings of the Dutch artist Maarten van Heemskerck.

This seminar will be centered on these drawings, which Van Heemskerck executed on a study trip to Rome in the 1530s. It will consider the precedent set by Jan van Scorel, a senior artist who made a pilgrimage and study trip to Rome in the 1520s and who inspired Van Heemskerck to do the same. The focus will then turn to Van Heemskerck's journey to Rome, 1532-1536/37, and the fascinating drawings he made of the city's antiquities, landscape, collections, and churches, including St Peter's Basilica when it was still under construction.

Most of Van Heemskerck's drawings have been preserved in two albums in the Berlin Kupferstichkabinett. Important new research in the last 15 years has shed light on these famous drawings, which used to be prized primarily for their supposed documentary value. New methods however have focused on the combination of accuracy and fantasy in Van Heemskerck's graphic work, the variety of techniques he employed, the interaction between his oeuvre as a painter and draughtsman, as well as the impact of his network of acquaintances in Rome.  We will consider these issues, as well as the commissions Van Heemskerck received in Rome from important patrons. Comparative examples of other Northern European and Italian artists and their approaches will be explored.

The seminar will review the recent literature on Van Heemskerck and assess the new discoveries presented in the exhibition. It will consider the wider context of Van Heemskerck's artistic milieu and his try to gain insight into his perspective as a Northern European artist in Rome in the 1530s, shortly after the Sack of 1527 and in the midst of the Protestant Reformation.

Prüfung

Hausarbeit oder mündliche Prüfung am 24. Juli 2024, 10-14 Uhr.

Strukturbaum

Die Veranstaltung wurde 2 mal im Vorlesungsverzeichnis SoSe 2024 gefunden:

Humboldt-Universität zu Berlin | Unter den Linden 6 | D-10099 Berlin