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Grunddaten
Veranstaltungsart Seminar Veranstaltungsnummer 53455
Semester WiSe 2021/22 SWS 2
Rhythmus keine Übernahme Moodle-Link  
Veranstaltungsstatus Freigegeben für Vorlesungsverzeichnis  Freigegeben  Sprache englisch
Belegungsfrist Es findet keine Online-Belegung über AGNES statt!
Veranstaltungsformat Präsenz

Termine

Gruppe 1
Tag Zeit Rhythmus Dauer Raum Gebäude Raum-
plan
Lehrperson Status Bemerkung fällt aus am Max. Teilnehmer/-innen
Di. 16:00 bis 18:00 wöch 501 (Seminarraum)
Stockwerk: 4. OG


Kupfer5 Institutsgebäude - Am Kupfergraben 5 (AKU 5)

  findet statt     1000
Gruppe 1:
 


Zugeordnete Person
Zugeordnete Person Zuständigkeit
Butler, Mark J., Professor, Dr.
Studiengänge
Abschluss Studiengang LP Semester
Master of Arts  Musikwissenschaft Hauptfach ( Vertiefung: kein LA; POVersion: 2017 )   -  
Zuordnung zu Einrichtungen
Einrichtung
Kultur-, Sozial- und Bildungswissenschaftliche Fakultät, Institut für Musikwissenschaft und Medienwissenschaft
Inhalt
Kommentar

This seminar explores relationships between music and human bodies. Drawing from a wide range of scholarship in music studies and other disciplines, it engages topics such as rhythm and meter, dance, movement, gesture, embodied meaning, embodied cognition, electronic dance music, technology, disability studies, feminism, and mind-body dualism. Sources focus primarily on popular repertoires, but works dealing with other styles will be incorporated to the extent they are methodologically significant.

Literatur

Buckland, Fiona. 2002. Impossible Dance: Club Culture and Queer World-Making. Middletown, CT: Wesleyan University Press.

Butler, Mark J. 2006. Unlocking the Groove: Rhythm, Meter, and Musical Design in Electronic Dance Music. Bloomington: Indiana University Press.

———. 2014. Playing with Something That Runs: Technology, Improvisation, and Composition in DJ and Laptop Performance. New York: Oxford University Press.

Cook, Nicholas. 2013. Beyond the Score: Music as Performance. New York: Oxford University Press.

Cox, Arnie. 2011. “Embodying Music: Principles of the Mimetic Hypothesis.” Music Theory Online 17 (2). http://www.mtosmt.org/issues/mto.11.17.2/mto.11.17.2.cox.html.

Cusick, Suzanne G. 1994. “Feminist Theory, Music Theory, and the Mind/Body Problem.” Perspectives of New Music 32 (1): 8–27.

De Souza, Jonathan. 2017. Music at Hand: Instruments, Bodies, and Cognition. Oxford Studies in Music Theory. New York: Oxford University Press.

Foster, Susan Leigh. 2010. Choreographing Empathy: Kinesthesia in Performance. London: Routledge.

Godøy, Rolf Inge, and Marc Leman, eds. 2010. Musical Gestures: Sound, Movement, and Meaning. New York: Routledge.

Hughes, Walter. 1994. “In the Empire of the Beat: Discipline and Disco.” In Microphone Fiends: Youth Music & Youth Culture, edited by Andrew Ross and Tricia Rose, 147–57. New York: Routledge.

Iyer, Vijay. 2002. “Embodied Mind, Situated Cognition, and Expressive Microtiming in African-American Music.” Music Perception 19 (3): 387–414.

Krell, Elias. 2013. “Contours through Covers: Voice and Affect in the Music of Lucas Silveira.” Journal of Popular Music Studies 25 (4): 476–503.

Le Guin, Elisabeth. 2006. Boccherini’s Body: An Essay in Carnal Musicology. Berkeley: University of California Press.

Madrid, Alejandro L. 2006. “Dancing with Desire: Cultural Embodiment in Tijuana’s Nor-Tec Music and Dance.” Popular Music 25 (3): 383–99.

McMullen, Tracy. 2006. “Corpo-Realities: Keepin’ It Real in ‘Music and Embodiment’ Scholarship.” Current Musicology 82: 61–80.

Miller, Kiri. 2017. Playable Bodies: Dance Games and Intimate Media. New York, NY: Oxford University Press.

Mills, Mara. 2011. “On Disability and Cybernetics: Helen Keller, Norbert Wiener, and the Hearing Glove.” Differences 22 (2–3): 74–111.

Peters, Deniz, Gerhard Eckel, and Andreas Dorschel. 2012. Bodily Expression in Electronic Music: Perspectives on Reclaiming Performativity. New York: Routledge.

Riches, Gabrielle. 2011. “Embracing the Chaos: Mosh Pits, Extreme Metal and Liminality.” Journal for Cultural Research 15 (3): 315–32.

Rivera-Servera, Ramón H. 2012. Performing Queer Latinidad: Dance, Sexuality, Politics. Ann Arbor: University of Michigan Press.

Sanden, Paul. 2012. Liveness in Modern Music: Musicians, Technology, and the Perception of Performance. New York: Routledge.

Solberg, Ragnhild T., and Alexander Refsum Jensenius. 2016. “Pleasurable and Intersubjectively Embodied Experiences of Electronic Dance Music.” Empirical Musicology Review 11 (3–4): 301–18.

Straus, Joseph. 2011. Extraordinary Measures: Disability in Music. New York: Oxford University Press.

Sudnow, David. 2001. Ways of the Hand: A Rewritten Account. Cambridge, MA: MIT Press.

Bemerkung

Achtung! Diese Präsenz-LV kann bei negativer Entwicklung des Infektionsgeschehens auch digital stattfinden. Bitte Ansagen beachten!

Prüfung

Hausarbeit

Strukturbaum

Keine Einordnung ins Vorlesungsverzeichnis vorhanden. Veranstaltung ist aus dem Semester WiSe 2021/22. Aktuelles Semester: WiSe 2024/25.
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